tag:blogger.com,1999:blog-89638367808957197232024-03-12T17:36:39.860-07:00Border Worlds™Jenny Woodlore's™ adventures on Space Station Crysalis™Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.comBlogger21125truetag:blogger.com,1999:blog-8963836780895719723.post-57929459247913075432018-06-10T15:07:00.001-07:002018-06-20T07:59:38.847-07:00The Belly of the Beast: More Marooned Sketches!<i>Border Worlds: Marooned</i> #1 (1990) was the adults-only one-shot comic book that followed the seven-issue black-and-white mature readers series <i>Border World</i>s (1986-1988) by two or three years. In that time period, artist-creator Don Simpson was working on a number of creative projects in addition to freelancing for the <a href="http://miragelicensing.com/comics/archie/14/14.htm"><i>Teenage Mutant Ninja Turtles</i></a>, Harvey Pekar's <i>American Splendor</i>, and <a href="http://donsimpsonfreelance.blogspot.com/2015/08/the-rogues-gallery-secret-origins-41.html">DC Comics</a>. These personal creator-owned labors of love included <a href="http://bizarreheroes.blogspot.com/"><i>Bizarre Heroes</i></a> #1 and <a href="http://bizarreheroes.blogspot.com/search/label/Pteranoman"><i>Pteranoman</i> </a>#1 (both, as it would turn out, later published by <i>Border Worlds</i> and <i>Megaton Man</i> publisher Kitchen Sink Press). Last but not least "Underground Comix" the artist began creating under a pseudonym.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglPgxXQAFAV3ZF6ElCSAArsVhdMxSgnSRKPlTyrmPcbT9HOqgG18uFha_IhPdkPAxLUAqSnEMRf2vcmfA8J7SZBySMrfK-PO3YZpAbFtSav-Y3ZK8g_Ly7D4YzKlbtfryw2_zdjy_wbb60/s1600/WIN_20180610_15_57_33_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1230" data-original-width="1600" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglPgxXQAFAV3ZF6ElCSAArsVhdMxSgnSRKPlTyrmPcbT9HOqgG18uFha_IhPdkPAxLUAqSnEMRf2vcmfA8J7SZBySMrfK-PO3YZpAbFtSav-Y3ZK8g_Ly7D4YzKlbtfryw2_zdjy_wbb60/s400/WIN_20180610_15_57_33_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Two half-size (half of an 8.5" x 11" sheet of bond paper) roughs of the denizens of the hotrod in the city of smugglers deep inside the space station. The right-hand page, showing a banquet, does not appear in the final story. Jenny and Drake are shown leaving the banquet, with Drake looking in on his ailing sister Cody. Roller ball pen and permanent marker, with signs of cutting and taping.</td></tr>
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In context, the brief, graphically sexual scene that earned <i>Marooned </i>an "Adults Only" label was right in the middle of all these endeavors. Recalls the cartoonist, "The work I signed as Anton was beat-off material, pure and simple; it was my <i>id</i>, my libido, completely running wild. I always do things the hard way, so of course it had to include a strong narrative too. <i>Border Worlds</i>, however, was different; it was my European art film. The hardcore sex scene in <i>Marooned</i> dramatically essential, or so I thought at the time. It was supposed to be a revelatory moment in which the two characters, Drake and Jenny, find one another in the least likely of places: in the bowels of a space station at the edge of civilization."<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEGqMRU7-7PhiaBstwHoQHjIPKp8kwFCOuB09-KuBpJEGQMomS8tgaJ2LVwwBrWU4LyxS5-IomOU0DTKJpEwQtGWj-KGjoSaSFSoYA4GTaIg4DZDIYuZi6xb1Q30_QbI5uT3l8iTIM0PCn/s1600/WIN_20180610_15_58_23_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1247" data-original-width="1600" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEGqMRU7-7PhiaBstwHoQHjIPKp8kwFCOuB09-KuBpJEGQMomS8tgaJ2LVwwBrWU4LyxS5-IomOU0DTKJpEwQtGWj-KGjoSaSFSoYA4GTaIg4DZDIYuZi6xb1Q30_QbI5uT3l8iTIM0PCn/s400/WIN_20180610_15_58_23_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Frank and Drake partake of the eternal nightlife offered by the smuggler's city, deep inside the abandoned jet engines of the space station. Frank thinks he sees something funny at the dock where the hotrod is parked; he too later looks in on Cody.</td></tr>
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Simpson took the dare of introducing explicit sex into his "arthouse" science-fiction saga in part because of the tenor of the time, with the traditional roots of the publisher in mind. "It was a rough moment in the comic book industry," Simpson recalls. "Sales were in a slump, and a lot of us were rethinking who we were as creators and imprints. Kitchen Sink Press had begun as an Underground publisher, and yet I had never truly done an Underground Comix work. <a href="http://megatonman.blogspot.com/"><i>Megaton Man</i></a> was part of the indy comics wave, and was intended as a product for the Direct Sales Market of collector comic book shops, not the 'head shops' of the Underground days. It was printed in color and was PG, although at times it got racy, particularly with <a href="http://msmegatonman.blogspot.com/2017/03/the-clarissa-project-secret-origin-of.html">Ms. Megaton Man</a>. <i>Border Worlds</i> was more adventuresome; it delved into nudity and profanity, but was careful never to cross a certain line. Considering I was drawing the very first experimental Underground Comix around the very same time, I suppose I wanted to test the waters in terms of what the market would bare with a hardcore, explicit sex scene in <i>Marooned</i>."<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0h6M3nSpjq-Hbv_GVLjMAsOsvAiLI-UUigJarSIETphPjxdunkOwdnbD7tJlsRx0sDcZGM0KJoU3u7wpMHxLkt1HypdrthXQBk2YKm3_Khx3oRxe5zbcM1ZuHFZxd2gHG_ZnB2Ro7XpV7/s1600/WIN_20180610_15_55_35_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="999" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0h6M3nSpjq-Hbv_GVLjMAsOsvAiLI-UUigJarSIETphPjxdunkOwdnbD7tJlsRx0sDcZGM0KJoU3u7wpMHxLkt1HypdrthXQBk2YKm3_Khx3oRxe5zbcM1ZuHFZxd2gHG_ZnB2Ro7XpV7/s400/WIN_20180610_15_55_35_Pro.jpg" width="248" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">This 11" x 17" photocopy blow-up of a rough sketch was cut apart and rearranged. The first panel shows Drake looking in on Cody, perhaps an early version of the panel shown more fully above (this panel was omitted in the final page). The second panel, showing Jenny in the foreground disrobing, was flipped in the final art. The bottom two panels, of Jenny topless and Drake dropping to his knees before her, are much like the final rendition of the scene.</td></tr>
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There was also a sense that this might be Simpson's last stab at Space Station Chrysalis. "Border Worlds had not been commercially successful, and yet here I had one last chance to at least find some closure with a one-shot," Simpson recalls. "Being away from the title for two years, I also wanted to make a stronger statement, and maybe get some attention in a crowded field. A full-on scene of the two principal characters finally fucking made sense, not only as a dramatic climax to their story as lovers, but also as an artistic statement - that the medium could be used in a frank and honest way. It may not have been any kind of practical commercial or branding move for the series, but I saw it as laying down my marker - that I wasn't going to go down without a fight."<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs_BNnmAhQvdHYwkol7iPF7cPwiA1p_lxGVMKl8JxXLKrBVSS-FkAD6V2a3hoQQbKFUMmINirJ2o2eFmqBnWqUOheqzWwL3QmKJEZFNRgRlq-9BLYvp5NG9_a2RPfGubLfapVFM3WH5c1L/s1600/WIN_20180608_16_32_29_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1229" data-original-width="1600" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs_BNnmAhQvdHYwkol7iPF7cPwiA1p_lxGVMKl8JxXLKrBVSS-FkAD6V2a3hoQQbKFUMmINirJ2o2eFmqBnWqUOheqzWwL3QmKJEZFNRgRlq-9BLYvp5NG9_a2RPfGubLfapVFM3WH5c1L/s400/WIN_20180608_16_32_29_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The printed <i>Border Worlds: Marooned</i> #1. Drake's nudity is as essential to the scene as Jenny's.</td></tr>
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"I also relished the fact that fictional characters, in comics and in prose at least, can actually fuck," the artist explains. "You can't do that with filmed, live-action actors, for obvious reasons - but I mean, who wouldn't have been at least curious about Diane Chambers and Sam Malone's more intimate moments in <i>Cheers</i>, on a purely fictional, character level? Besides, as Orson Welles points out, in cinema, eroticism kind of pulls the viewer out of the narrative and turns it into a documentary. But I wanted to see for myself what the result would be, and I could do that in a comic book without consequences." <br />
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[The e<a href="http://borderworlds.blogspot.com/2018/06/jenny-and-drake-deleted-scene.html">xplicit sex scene is discussed in greater detail</a> elsewhere on this blog.]<br />
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From the surviving rough sketches recently unearthed, it would seem to be a late addition. "I must have had the scene in mind for awhile," says the artist. "But I spent more time elaborating the narrative surrounding it." <i>Marooned </i>features the hotrod, a sleek, black trijet that has been hijacked by desperate scientists Drasin and Cody Revell, journeying into the bowels of the space station, where they find an ad hoc city run by smugglers. "It's <i>Mad Max </i>in the sewers," says Simpson, "run be a character based on Last Gasp Comix publisher 'Baba' Ron Turner."<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcUDz_52lA65VZLtUOPsi8tLJdEg40_QfM_37ACPzUBufV2nQS38drPpiOrLYsngw-m4OTZ288jBPSQoA-2ePCqtZ82pITH1Eg7p42CoD_qQ2HUK2CKugL3cDyWi4q4dFawP-oWb_SUiMw/s1600/WIN_20180609_17_00_03_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1231" data-original-width="1600" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcUDz_52lA65VZLtUOPsi8tLJdEg40_QfM_37ACPzUBufV2nQS38drPpiOrLYsngw-m4OTZ288jBPSQoA-2ePCqtZ82pITH1Eg7p42CoD_qQ2HUK2CKugL3cDyWi4q4dFawP-oWb_SUiMw/s400/WIN_20180609_17_00_03_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">This pencil rough of the actual sex scene show Drake performing cunnilingus on Jenny, who clearly exalts in the act. She takes over and straddles Drake, who penetrates inside her as the hotrod pierced the interior of the space station. The equivalence between Jenny and Chrysalis, metaphorically, is established. Panel three of the left-hand page, showing Drake looking down on Jenny's face, was altered in the final, her face replaced by her breast, perhaps because it would have erroneously suggested he was on top of her, penetrating her; instead, in the final version, the responsibility for the penetration is entirely Jenny's.</td></tr>
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The smugglers provide a haven for the renegades and crew of the hotrod, including Jenny Woodlore and her brother Frank, and mechanic Diggs. "Jenny and Drake, the scientist, are attracted to one another, even though she has essentially been kidnapped. She has by this point been persuaded that Drake's flight from the Domain to keep black-hole bomb technology out of the military's hands is a just cause." But it's not clear whether the hotrod has truly found a haven, or will be betrayed.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiGhtqNGIC3BiMnaMTKxQaeL6k40xQf65EjEUHpttqnvz0ttuOk2rrCaXGGER-IJIA03b1Vq0AWmry9HkV5l5NROKMcIiiLNv9yjfhMTQjTqoMR1cQHbpnLSgQ6k5l3XVB7iNY8deoOT1z/s1600/WIN_20180608_16_31_37_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1232" data-original-width="1600" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiGhtqNGIC3BiMnaMTKxQaeL6k40xQf65EjEUHpttqnvz0ttuOk2rrCaXGGER-IJIA03b1Vq0AWmry9HkV5l5NROKMcIiiLNv9yjfhMTQjTqoMR1cQHbpnLSgQ6k5l3XVB7iNY8deoOT1z/s400/WIN_20180608_16_31_37_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The sex scene continues after a page turn. Panel two of the left-hand page, originally showed Drake's hand brushing Jenny's cheek. This was removed in the final art, isolating Jenny's understated orgasmic facial expression, and making her experience the only focus of the scene. </td></tr>
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"Domain Silverheel officer Kaarn Pinsen, who is pursuing Drake and Cody, is in hot pursuit, and she too has found the smuggler city," Simpson continues. "It remains unclear whether she will become a prisoner of the smugglers, or what." Looking at the roughs, the author seems to have juggled the sequence in terms of who arrives first in the underground city: the hotrod or the silverheel. "I was doing a lot of editing at the rough stage," says Simpson. "I must have chosen to have Pinsen arrive later, after Drake and Jenny hook up."<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMwtsHe86baHD9B8loeXRR_HQuVNpzTTJXmWDvrb_bCv_M-MGkqqc2jjjKesdCf6pmlb0mLYw5lu_FjAEWc0wk0PrB8NEBZLtkPonyKVANyzRYCfakC_WS8TRgMOJMn2VDsyTMAuwhd4TE/s1600/WIN_20180610_15_59_00_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1239" data-original-width="1600" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMwtsHe86baHD9B8loeXRR_HQuVNpzTTJXmWDvrb_bCv_M-MGkqqc2jjjKesdCf6pmlb0mLYw5lu_FjAEWc0wk0PrB8NEBZLtkPonyKVANyzRYCfakC_WS8TRgMOJMn2VDsyTMAuwhd4TE/s400/WIN_20180610_15_59_00_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kaarn Pinsen's ship arrives to find the hotrod parked dockside in the smuggler city. According to the page numbers on the roughs, the artist considered placing this scene before the banquet scene, and prior to Drake and Jenny's explicit lovemaking.</td></tr>
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Hook up they do, in lodgings provided by the smugglers. After looking in on the ailing Cody, who is literally becoming sick from her knowledge of the black-hole bomb, Drake and Jenny disrobe. "I must have been in a hurry to draw this scene, because you'll notice, whereas the other rough sketches are tight marker, the sex scene is just very loose pencil. I wanted to get to the Bristol board right away!"<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwgqzPXNw4hEcm0beAD52huuTOpSocNnNF4fJoEntlLfTYC_hsMbD03c4W5th0ENcYkhP60Hnymxv7Oh_LaD7q0bGq0hDaNm9bAQDnAtEcOwxU517NQDhfaFYdZMhzuBc_sf_iExNjlrPw/s1600/WIN_20180610_15_59_38_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1233" data-original-width="1600" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwgqzPXNw4hEcm0beAD52huuTOpSocNnNF4fJoEntlLfTYC_hsMbD03c4W5th0ENcYkhP60Hnymxv7Oh_LaD7q0bGq0hDaNm9bAQDnAtEcOwxU517NQDhfaFYdZMhzuBc_sf_iExNjlrPw/s400/WIN_20180610_15_59_38_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pinsen is brought to Mudbelly, king of the smugglers. This is the final rough sketch in the sequence. Later additions made to complete <i>Marooned </i>utilized a different drawing technique and drawing material (Duoshade, a technique employed on classic EC Comics and many mid-century editorial cartoons), and were not given the same elaborate preliminary treatment.</td></tr>
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The underground interlude, the heart of <i>Border Worlds: Marooned</i> #1, became a set piece that defined the series. "It was a kind of midnight for the soul," says Simpson. "The hotrod is lost inside the space station, and Drake gets lost inside Jenny. The identification of the protagonist and her world couldn't be more vivid."<br />
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More on the <a href="http://borderworlds.blogspot.com/2018/06/jenny-and-drake-deleted-scene.html">graphic sex scene deleted from the <i>Border Worlds</i> hardcover collection</a>!<br />
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More <a href="http://borderworlds.blogspot.com/2013/07/jennys-past-work-in-progress.html">sketches from an unpublished 21st-century Jenny story</a>!Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-48801792174198150492018-06-10T15:07:00.000-07:002018-06-10T15:07:03.032-07:00Jenny's Past: A Work in ProgressI am working on a scene from Jenny's past, prior to <i>Border Worlds</i>, when she was a college student on earth, and when she earned money as an artist's model for drawing classes (you didn't know that, did you? I didn't either). The scene began as a tiny page thumbnail in my sketchbook, and I have been working it out at a larger size with tracing paper. In this case I am not working from a script, and am learning about the character as I explore this period in her life. More to come.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzxom5kaDpRXSe7f9VIYYUPPawQEC6ab1_nelUrMKngnc3cVurEkhPURbkGFu5izhaZm0TpU2xfrec3T8cVifPetX07Z9rJhhWbmfRKDYR63gD3htyscKapGrJgYaj_DyvnS8uDQHxR3lL/s1600/jenny+modeling.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzxom5kaDpRXSe7f9VIYYUPPawQEC6ab1_nelUrMKngnc3cVurEkhPURbkGFu5izhaZm0TpU2xfrec3T8cVifPetX07Z9rJhhWbmfRKDYR63gD3htyscKapGrJgYaj_DyvnS8uDQHxR3lL/s400/jenny+modeling.jpg" width="261" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">This is the original thumbnail sketch, about 3 inches wide, made within the last year.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZPCr1Kezf5gfFiA97SS0uEvDC7RQCOQr-iAr7jEWSbbBTejx8wXVjxgNT-xbS4V-dtH6MD3a52zvYi-InAvl4FB8jddDNNAPRebZqH69K4pc455OmR-wiZk9UJfdXl1PpBZriRjJ80FVe/s1600/jenny_options_color_200.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZPCr1Kezf5gfFiA97SS0uEvDC7RQCOQr-iAr7jEWSbbBTejx8wXVjxgNT-xbS4V-dtH6MD3a52zvYi-InAvl4FB8jddDNNAPRebZqH69K4pc455OmR-wiZk9UJfdXl1PpBZriRjJ80FVe/s400/jenny_options_color_200.jpg" width="286" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Here are some separate explorations in blue, graphite, and Uni-Ball, wherein I am attempting to find the right age, expression, and attitude of the character. In this scene, Jenny is supposed to be in her early 20s, whereas in the <i>Border Worlds</i> series she was in her late twenties. Not much of a difference, but significant. The top left head has the right balance of youth and inexperience; the bottom right she is a bit too old. I want to get the sense that she is young but tired from all her activities and burning the candle from both ends (she is also on an athletic scholarship).</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4pzy3SftwKkJpqMI94KN4XmweeQplJiNRUeQrQIrCheSiG33ZIzIdQt5sZlUVUD1G6s9e8LnN_9p8mBOL2RXnmIGFAu1V1zibJo5XZ0Cv29EfcBsqCh5-G7Rr3ruXGnD6V3IQmU1SRsUR/s1600/jenny_art_class_01_200.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="361" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4pzy3SftwKkJpqMI94KN4XmweeQplJiNRUeQrQIrCheSiG33ZIzIdQt5sZlUVUD1G6s9e8LnN_9p8mBOL2RXnmIGFAu1V1zibJo5XZ0Cv29EfcBsqCh5-G7Rr3ruXGnD6V3IQmU1SRsUR/s400/jenny_art_class_01_200.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">This the development of that thumbnail, blown up to about 11 inches wide, and elaborated in blue and graphite pencil on canary yellow tracing paper, the kind once prevalent in the drafting industry, but which I have gravitated to for some reason.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8r4HKTBCvAzsnYxHCyLETFZxcnm2oYjy3Kif8VIEHoV7uDD7vJbDGV_zo29bHybYW1Jn4fO-_HW32UtWnMFAgiI7J7m1uPqDByChhq6HbN4NP7wK1WqXWr_E0pz3nTwC_bkk8NQPXugZk/s1600/jenny_art_class_02_200.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8r4HKTBCvAzsnYxHCyLETFZxcnm2oYjy3Kif8VIEHoV7uDD7vJbDGV_zo29bHybYW1Jn4fO-_HW32UtWnMFAgiI7J7m1uPqDByChhq6HbN4NP7wK1WqXWr_E0pz3nTwC_bkk8NQPXugZk/s400/jenny_art_class_02_200.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Here is the second part.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4SOf8FLZ1Y7rOPwCITVGfJa3zRBXYkAYdKD0q2taEANiTrR4YQuOyJ0CoSL-7hOHxZAiQhIg390WOkRSJEoPV-cjtBnpJL8wIJfmYx-Fug-RdRnjusHImSSiInSRNLfcNERjBd0JtLyRj/s1600/jenny_model_platform_120.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1322" data-original-width="1296" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4SOf8FLZ1Y7rOPwCITVGfJa3zRBXYkAYdKD0q2taEANiTrR4YQuOyJ0CoSL-7hOHxZAiQhIg390WOkRSJEoPV-cjtBnpJL8wIJfmYx-Fug-RdRnjusHImSSiInSRNLfcNERjBd0JtLyRj/s400/jenny_model_platform_120.jpg" width="391" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">As an artist's model in college, Jenny takes a break from a pose and puts on her robe.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw3khbDlC3En3JMdwYR9lyjOuUf-ur1sgOjXxMjTFUS58ex9xSzbOihmJLJGsl43-vfmV_rOLgUdmYEwtH2bXJ4Q0-DfyhNEQQisUEx_Pk83I_0XM9hF1UJZI_rtsOT0PlnyPHPQl0ZOcS/s1600/jenny_dorm_hallway_120.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1289" data-original-width="1440" height="357" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw3khbDlC3En3JMdwYR9lyjOuUf-ur1sgOjXxMjTFUS58ex9xSzbOihmJLJGsl43-vfmV_rOLgUdmYEwtH2bXJ4Q0-DfyhNEQQisUEx_Pk83I_0XM9hF1UJZI_rtsOT0PlnyPHPQl0ZOcS/s400/jenny_dorm_hallway_120.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Again a scene from college. An athlete, Jenny returns from practice, and has an issue with a dorm neighbor who seems a little too preoccupied with recording Jenny for a documentary.</td></tr>
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More to follow!Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-8522913672157156922018-06-08T17:02:00.003-07:002018-06-20T08:00:10.711-07:00Jenny and Drake: The Deleted Scene!<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAZikgXl6wTw88OCNnDumlznNdn6FIip5L7C4NLHSeEUeCTgjjMYSYW9tFWfjq9CBfO8hOdZjQXhP3IpQjycp61yTU7dls60820zNUpoKcOKx9I8Q-pkWlgIySTOAaGy6pDwvMCMP_9wZg/s1600/80842-4+Dust+Jacket+%255D%255B.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1600" height="178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAZikgXl6wTw88OCNnDumlznNdn6FIip5L7C4NLHSeEUeCTgjjMYSYW9tFWfjq9CBfO8hOdZjQXhP3IpQjycp61yTU7dls60820zNUpoKcOKx9I8Q-pkWlgIySTOAaGy6pDwvMCMP_9wZg/s400/80842-4+Dust+Jacket+%255D%255B.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The dustjacket for the Dover Publications edition of <i>Border Worlds</i> (2017).</td></tr>
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The recent Dover Publications hardcover collection of <i>Border Worlds</i> is complete and exhaustive, including even the original color back-up features culled from <i>Megaton Man</i> #6-10 (Kitchen Sink Press, 1985-1986) along with the seven black-and-white comic book issues (1986-1987). One slight alteration, however, is the omission of a two-page scene from the <i>eighth </i>issue, the adults-only one-shot <i>Border Worlds: Marooned </i>#1 (1990).<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_DHqP5XwDU8f4Rx0odl05QmP5dZ0cwfzKzGAI613aYgm9ZxMM-aPuurgUaSLfPnTkS6uEnmlXKBR7Sx5Q_ZADcYnQwscwBr8duEZgnXNAHfPH0Y9OoARkiKzUqem_zH1zOAVa5EX1Yy0e/s1600/WIN_20180608_16_35_41_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1228" data-original-width="1600" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_DHqP5XwDU8f4Rx0odl05QmP5dZ0cwfzKzGAI613aYgm9ZxMM-aPuurgUaSLfPnTkS6uEnmlXKBR7Sx5Q_ZADcYnQwscwBr8duEZgnXNAHfPH0Y9OoARkiKzUqem_zH1zOAVa5EX1Yy0e/s400/WIN_20180608_16_35_41_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The sequence as presented in the Dover edition; two pages were removed in between these two, and Drake's erect penis was elided from the first two panels on the left-hand page.</td></tr>
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"The original idea was to remove the scene to avoid distribution problems," says creator Don Simpson. "It was a move with which I wholeheartedly agreed; it was their money, after all, and as I say in the interview with Steve Bissette included in the book, I no longer see transgressing boundaries of eroticism as necessarily having anything to do with artistry. In any case, the original editor, Drew Ford, planned on removing them; Pete Lenz, the editor who saw the book through to completion, did not insist upon it, but I already accepted it, so that's how we decided to proceed."<br />
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In the scene, Drake removes his clothing; we see his unaroused genitals clearly, then his erection. "We decided to Photoshop those out," said Simpson. "Originally, it was important to me to show Drake's genitals as much or more than Jenny's, and in the original version, that was true, but when we shortened the scene, unfortunately, his had to go." <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhozu0wEfsrMtqS5A-Oesn9AEQ92LV1j5_H0Jizkhkljpn_7A3BkC2sMmyas9R7sShgYsE92YA4-f9SlpRZuDpfE18vVqs5IfeG-PpHaD5Y9mLIK9wmMTuVLvuE30kGioHcKiq1KLkk9NTe/s1600/WIN_20180608_16_32_29_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1229" data-original-width="1600" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhozu0wEfsrMtqS5A-Oesn9AEQ92LV1j5_H0Jizkhkljpn_7A3BkC2sMmyas9R7sShgYsE92YA4-f9SlpRZuDpfE18vVqs5IfeG-PpHaD5Y9mLIK9wmMTuVLvuE30kGioHcKiq1KLkk9NTe/s400/WIN_20180608_16_32_29_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The sequence in the original issue of Border Worlds: Marooned #1 showed Drakes' genitals clearly in the first two panels of the left-hand page, Drake performing cunnilingus on Jenny on the first panel of the subsequent page, and Jenny mounting Drake, his erect penis clearly penetrating her vagina.</td></tr>
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In the original version, Drake kneels before Jenny, and in the elided pages, he reverently performs cunnilingus her. At this point, the scene goes silent; no speech balloons, thought balloons, or other text interfere with the images, suspending the passage of time. "The close up is on Jenny's face as Drake goes about licking her," the artist recalls. "It was important for me to focus on her response rather than on his earthy desires, at that moment." She then mounts Drake, his erect penis clearly penetrating her vagina. "That was the panel that made Kitchen Sink decide to put an 'Adults Only' label on the book, whereas the seven-issue series that preceded it was labeled only 'For Mature Readers.'"<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsJ6r72o7lDo1KDQ_zM9yWEdlHokPgZjntFr3ADoxsqcAeTwncue8xDRN_6Dh4p82wmd96SbcmF0eILvZkqXMbncNKbDA4a2qlGomdsvXvKyOY7f9huH9t0DgKbzXlv7Z3ummnqu5He883/s1600/WIN_20180608_16_31_37_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1232" data-original-width="1600" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsJ6r72o7lDo1KDQ_zM9yWEdlHokPgZjntFr3ADoxsqcAeTwncue8xDRN_6Dh4p82wmd96SbcmF0eILvZkqXMbncNKbDA4a2qlGomdsvXvKyOY7f9huH9t0DgKbzXlv7Z3ummnqu5He883/s400/WIN_20180608_16_31_37_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">On the next page, Jenny continues to mount Drake, achieving orgasm; the two cuddle, his drained cock clearly spent. The entire sequence is presented without words or sound effects.</td></tr>
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The scene continues on the following page, as Jenny continues to ride on top of Drake; the expression on her face suggests that she is fully in charge and achieves orgasm. "I thought it was important to show Jenny on top and going for what she wanted," says Simpson. "She's the protagonist of the narrative and it is her story. He's not doing her; she is definitely doing him."<br />
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At the same time, the silence of the scene made it stand out from the rest of the issue. "Words determine the passage of time in comics, to a great extent," the artist explains. "I didn't want the scene to go by too fast, or have to draw too many pages to show the entire duration of their fuck. Of course I could have gone on for pages and pages, but then it would have become an Underground comic."<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3G80VtEKItow7WZKR4NTAlfQL-nISWBsKkqk5lLSQnh0ZLdCyI2lwy8lH5fHfFyZCKDD220opzfx91e94QScwcEUlrRviEOEAT64jxSTD0Skv5L6rAVvv742zmJHrwrXoBxB8dUb58WSm/s1600/WIN_20180609_17_00_03_Pro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1231" data-original-width="1600" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3G80VtEKItow7WZKR4NTAlfQL-nISWBsKkqk5lLSQnh0ZLdCyI2lwy8lH5fHfFyZCKDD220opzfx91e94QScwcEUlrRviEOEAT64jxSTD0Skv5L6rAVvv742zmJHrwrXoBxB8dUb58WSm/s400/WIN_20180609_17_00_03_Pro.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The original pencil sketch of the intercourse scene on two 5.5" x 8.5" sheets of bond paper.</td></tr>
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Long-time fans may miss the sequence, although there is plenty of
material left to earn the "mature readers" tag the dark science fiction
series originally bore: nudity, profanity, just-off-camera sex, and a
violent attempted rape that results in the attacker's death. But fans
just discovering the series may wonder what the fuss about such a simple
and direct sex scene is about.</div>
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"To me it wasn't essential to the narrative, but it was an important breakthrough for me in terms of a more honest approach to my work," says Simpson. "While I was working on <i>Marooned</i>, I also was beginning to experiment with my very first Underground Comix, which clearly had a different intent. As I say in the Afterword of the hardcover, eroticism and narrative aren't really compatible, and I think those pages could be elided without harm to the story."</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9iruRhbZMbyCMH_NzeK_HPB_SJkRts0zk3GVlVwXdLNR0VDu1P5AxeKiF4QtcBN0IfAsQqdvw8aZ32XDHNjqUjG1zlrH23zK1b_ONWUqQKnndJrNDmQwppaMQ_8otFYQOyzpUAlfinEw-/s1600/80842-4+AD+%255DA%255B.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1566" data-original-width="1032" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9iruRhbZMbyCMH_NzeK_HPB_SJkRts0zk3GVlVwXdLNR0VDu1P5AxeKiF4QtcBN0IfAsQqdvw8aZ32XDHNjqUjG1zlrH23zK1b_ONWUqQKnndJrNDmQwppaMQ_8otFYQOyzpUAlfinEw-/s400/80842-4+AD+%255DA%255B.jpg" width="262" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The hardcover addition includes 30 all-new pages forming a new conclusion to Jenny's story.</td></tr>
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The loss of <i>Border World</i>'s most sexually explicit moment is offset in the Dover edition by a new 30-page conclusion, which offers readers a satisfying denouement to the extant series. "It's not the end of Jenny's story by any means," says Simpson. "Where she goes from here, and whether I continue the saga of the space station of further explore her inner world - <i>or both</i> - remains to be seen."</div>
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The <i>Border Worlds</i><b> </b>hardcover can be ordered from <a href="https://www.amazon.com/Border-Worlds-Dover-Graphic-Novels/dp/0486808424">Amazon </a>and elsewhere online, or through your local independent comic book and graphic novel dealer.</div>
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Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com2tag:blogger.com,1999:blog-8963836780895719723.post-53562528681067197322017-03-12T17:36:00.000-07:002018-03-09T12:01:11.339-08:00Border Worlds Commission Drawings: A Spring Break Slew of Art!It's a fun time at the ol' drawing board these days! With a newly-complete <i>Megaton Man</i> graphic novel in the coloring stage, a 25-anniversary reprint of <i>Splitting Image</i> (with <i>normalman vs. Megaton Man</i>) as an 80-page Giant" coming from Image Comics on April 26, 2017, and the Dover collection of <i>Border Worlds</i> (with a new concluding chapter) arriving in August 2017, fans and collectors are requesting a wider variety of convention sketches and commission drawings spanning my 30-year career as never before!<br />
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Here is a selection of drawings I inked over the past week, including a lovely sketch of Jenny in her obsessively-textured space suit! If you are interested in acquiring a custom drawing of your favorite Don Simpson character before the 2017 rush turns into an outright frenzy, please send me an email at donaldsimpson1713 circle "a" symbol gmail period com, and I'll be sure to get back to you.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIuWIQP9SbP7poC1zYwkzubLiPLQFirSWZ9vHPHLQzt50-GdwWeJPlUIpwZKV4XCmEpVwLLA-dd6Uj10iGPqtjQAUAmk241Xj1FgFAdzVN3APqA2Ar1X4aKjj1Yck-3m3vS-k5Z3AhFCQB/s1600/WIN_20170311_132301.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIuWIQP9SbP7poC1zYwkzubLiPLQFirSWZ9vHPHLQzt50-GdwWeJPlUIpwZKV4XCmEpVwLLA-dd6Uj10iGPqtjQAUAmk241Xj1FgFAdzVN3APqA2Ar1X4aKjj1Yck-3m3vS-k5Z3AhFCQB/s400/WIN_20170311_132301.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pencil drawings in light blue Col-Erase and graphite on Strathmore 400 Drawing, ready to ink.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgGfXuX4wN5X-O9b5751laMjarCq5C0FNBQtSeUSaD5Jh6ZIXDErTgwYEXijTbYB7QYyWy6a6xPJ-KKZaB3RQ-qyTZK3XgsuS_P3uJDwaZ7PBNlobbucrQS_ceBa_GPUu-h0hLxFX6d2nm/s1600/WIN_20170311_163955.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgGfXuX4wN5X-O9b5751laMjarCq5C0FNBQtSeUSaD5Jh6ZIXDErTgwYEXijTbYB7QYyWy6a6xPJ-KKZaB3RQ-qyTZK3XgsuS_P3uJDwaZ7PBNlobbucrQS_ceBa_GPUu-h0hLxFX6d2nm/s400/WIN_20170311_163955.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Partially inked.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRiH2aSsxlwFMP65RpTBAw3n5vOJACRQibnVzV0-p9cHXADTymmN-uflbJXvCF11NP5xo22fYwVxgwtgE_36U7vKgPf0_uEitHE_TrvclMMUvlB6zlddrUGzYT19rGa9KhRY4-TJm9gUPE/s1600/WIN_20170311_180527.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRiH2aSsxlwFMP65RpTBAw3n5vOJACRQibnVzV0-p9cHXADTymmN-uflbJXvCF11NP5xo22fYwVxgwtgE_36U7vKgPf0_uEitHE_TrvclMMUvlB6zlddrUGzYT19rGa9KhRY4-TJm9gUPE/s400/WIN_20170311_180527.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Batmegaton, inked.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgALEZM2w5YfWM7DuL68miotn_iD5lBBJhRX2Z_ShzTRUaag6NN2WbP1ryb_Z88SRJITnuyWCovc7GKh8tiSmyWIjIbnqabrSFQxyn2xc-S4ntTzZM-PXnJMvVeGYlpGfIa_M5RLD_pOkTo/s1600/WIN_20170311_184827+%25282%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgALEZM2w5YfWM7DuL68miotn_iD5lBBJhRX2Z_ShzTRUaag6NN2WbP1ryb_Z88SRJITnuyWCovc7GKh8tiSmyWIjIbnqabrSFQxyn2xc-S4ntTzZM-PXnJMvVeGYlpGfIa_M5RLD_pOkTo/s400/WIN_20170311_184827+%25282%2529.JPG" width="297" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">MODOK inked.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje7NM1arl-N8GrIt24K_tOHo6FQxSNnugLXFNE_lQV9wl4xhMwmznqDdAT8dOYyiD42qjj-0pq5K1oWHa8SlAgb_r8CjGNoARU8Vl67bZ3FE2KBEq-pq4_5LzaNi8TAkqy-Y56KA_y3i2u/s1600/WIN_20170311_200632+%25283%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje7NM1arl-N8GrIt24K_tOHo6FQxSNnugLXFNE_lQV9wl4xhMwmznqDdAT8dOYyiD42qjj-0pq5K1oWHa8SlAgb_r8CjGNoARU8Vl67bZ3FE2KBEq-pq4_5LzaNi8TAkqy-Y56KA_y3i2u/s400/WIN_20170311_200632+%25283%2529.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Connie Carlyle and friend, from a sketch started at a comic book convention, inked (and poorly lit).</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx2IaGPLabTOE3ognCjNdIwhqLMvt8mCplYyCGVteVvoDU0qEKyCxsjCJZEljKxDQWBrPlymgcPteEQv-59Papz8SSarbX3BMBmoGyD7BC7PReL1t6ol9vlB1n0lVFjXXuG5zL9cTR1KEQ/s1600/WIN_20170311_204957+%25282%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx2IaGPLabTOE3ognCjNdIwhqLMvt8mCplYyCGVteVvoDU0qEKyCxsjCJZEljKxDQWBrPlymgcPteEQv-59Papz8SSarbX3BMBmoGyD7BC7PReL1t6ol9vlB1n0lVFjXXuG5zL9cTR1KEQ/s400/WIN_20170311_204957+%25282%2529.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Aja, the alternate Ms. Megaton Man, and Connie Carlyle, Megaton Man's new sidekick.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg60tdmlZYpc8OXVjZPtTmysrE5rURWrBBfvLbs8-HkP44A4INfk6IXkdc36m5ZaxiCQL-wtpXzoznseg3GNW0Zb_0b120U-ivq46JRHJNhQdJKZauJgC9u5X9kuxW3pk3L4_FqQThfEr7e/s1600/WIN_20170311_220209+%25282%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg60tdmlZYpc8OXVjZPtTmysrE5rURWrBBfvLbs8-HkP44A4INfk6IXkdc36m5ZaxiCQL-wtpXzoznseg3GNW0Zb_0b120U-ivq46JRHJNhQdJKZauJgC9u5X9kuxW3pk3L4_FqQThfEr7e/s400/WIN_20170311_220209+%25282%2529.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jenny Woodlore, partially inked.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhluGS0Bjfd7jNIX6HTeDwCLXF8_ftIX_BcU0UlqwOfe35Pa-t35-quAz04ow68Lfz_9lSUAHj1C9tPezO8hj7abLWg0l8mPFRLUMUA5isNcnyfcroO6ZR3lsZsIFfb1AFvNDUdxCgGw7WJ/s1600/WIN_20170311_224738+%25282%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhluGS0Bjfd7jNIX6HTeDwCLXF8_ftIX_BcU0UlqwOfe35Pa-t35-quAz04ow68Lfz_9lSUAHj1C9tPezO8hj7abLWg0l8mPFRLUMUA5isNcnyfcroO6ZR3lsZsIFfb1AFvNDUdxCgGw7WJ/s400/WIN_20170311_224738+%25282%2529.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jenny inked.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnBCl17qOpyLtCo10YSDBUCZyIW04_uMteeVGGX0gnUJZ7uaZTY6cSzVS53wXNPgxxvmO288BfelDajKL8RpHsfrRmTm5WqqLdMdTX13h0tEtp1F5g98I0MfzSQWP3OMTVSi2ts2d7Tjs7/s1600/WIN_20170311_225938+%25282%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnBCl17qOpyLtCo10YSDBUCZyIW04_uMteeVGGX0gnUJZ7uaZTY6cSzVS53wXNPgxxvmO288BfelDajKL8RpHsfrRmTm5WqqLdMdTX13h0tEtp1F5g98I0MfzSQWP3OMTVSi2ts2d7Tjs7/s400/WIN_20170311_225938+%25282%2529.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Several days worth of work!</td></tr>
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More commission art <a href="http://donsimpsoncartoonist.blogspot.com/">here</a>.Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-59710317065982032302017-03-09T15:25:00.002-08:002018-06-20T08:04:43.315-07:00Dover Dustjacket for Border Worlds GN Collection!Designed by John M. Alves, here's the forthcoming (August 2017) dustjacket design for the <i>Border Worlds</i> hardcover collection from Dover Graphic Novels! Color and black and white, 340 pp., $29.95!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3YnquN1Yh87NVeQvCP8lL3dkHhqNZIm04UFswQ9kU-lbfVnlsDclKQ79doTTzdvvaOrPiQvQKo2tDWuaUjx8y7Ra1xIvVnr0QTpMfiayg7m4H57qHOpPOxORd2aHlhB-Zy0YsR5Vk5eKe/s1600/80842-4+AD+%255DA%255B.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3YnquN1Yh87NVeQvCP8lL3dkHhqNZIm04UFswQ9kU-lbfVnlsDclKQ79doTTzdvvaOrPiQvQKo2tDWuaUjx8y7Ra1xIvVnr0QTpMfiayg7m4H57qHOpPOxORd2aHlhB-Zy0YsR5Vk5eKe/s400/80842-4+AD+%255DA%255B.jpg" width="262" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Border Worlds</i> ad for Image Comics' <i>Splitting Image 80-Page Giant</i>, a 25th anniversary reprint that includes <i>normalman vs. Megaton Man Special </i>#1, coming from Jim Valentino's Shadowline imprint on April 26, 2017.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmbdeTxvFJMDVB_w3up-YnRbt69_JC8gs1a3kscbeJAgnTTlcFuKdAvApquKCFb1Z0huaoNtgnUbZHt-4307e3TkcwN1MpwpGav3m2dbXiOJMneW5Aedbe7JuaNGPBN50Am8eORk-v3i89/s1600/80842-4+Dust+Jacket+%255D%255B.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmbdeTxvFJMDVB_w3up-YnRbt69_JC8gs1a3kscbeJAgnTTlcFuKdAvApquKCFb1Z0huaoNtgnUbZHt-4307e3TkcwN1MpwpGav3m2dbXiOJMneW5Aedbe7JuaNGPBN50Am8eORk-v3i89/s400/80842-4+Dust+Jacket+%255D%255B.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dustjacket design by for the collected <i>Border Worlds</i> by John M. Alves.</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXOlUbTp0ccgO2m3Dx_rWyYgUlB0pTdnKj_l2U2NAsH6DsWMIQhMk_stJcynpo3acvHSGuKgJJtm91to3ikYLveEg3nvGUyPxDcqnd4mKJypjNeICv0T0X1bZkSjpUyufd88Rl1DOyJpiQ/s1600/blurb.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXOlUbTp0ccgO2m3Dx_rWyYgUlB0pTdnKj_l2U2NAsH6DsWMIQhMk_stJcynpo3acvHSGuKgJJtm91to3ikYLveEg3nvGUyPxDcqnd4mKJypjNeICv0T0X1bZkSjpUyufd88Rl1DOyJpiQ/s400/blurb.jpg" width="398" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Author's bio from the flap of the <i>Border Worlds</i> dustjacket.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4LXgEAnntego-Z17n-Gd3ZMp3FrTaq3637V-qUJWmzf0IMczs54pONG7jBw_FkK6-uf1RIORwCDQEY_eyh-xEatexLG-s02yJnCQ1qiTAeW9iEKFIHsuqIl9MUJB6Tiuq0xz7EgmrWzII/s1600/17192457_1027660477366894_8395746539631911375_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4LXgEAnntego-Z17n-Gd3ZMp3FrTaq3637V-qUJWmzf0IMczs54pONG7jBw_FkK6-uf1RIORwCDQEY_eyh-xEatexLG-s02yJnCQ1qiTAeW9iEKFIHsuqIl9MUJB6Tiuq0xz7EgmrWzII/s400/17192457_1027660477366894_8395746539631911375_o.jpg" width="130" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Front flap with excerpt from Steve Bissette's Afterword.</td></tr>
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<br />Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-36283819116450371782016-11-14T16:28:00.002-08:002018-06-10T16:10:14.399-07:00Dover Announces Border Worlds Graphic Novel for August 2017!Dover Graphic Novels, an imprint of Dover Publications Inc., has announced the <i>Border Worlds</i> graphic novel for August 2017! It is already listed on <a href="https://www.amazon.com/dp/0486808424/ref=cm_sw_r_tw_dp_x_8P3jybYXXMZ4E">Amazon.com</a>. The hardcover will be 336 pages, with a new 30-page concluding chapter and portfolio of unpublished art, with an historical overview introduction by comics legend Stephen R. Bissette.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKYX2VK_yW3ZxtAOAnWRlAl7dW-aaztd5kzNSbh2ITeFciPCSZLNM9shu3g5lnA3lRcs5lcImyqVTZOCJVPthFUyzh0lst0ME8YWIzoHF-7Kp-55e9yxDTxLsQrBX6Vf2hhhiVXau04q2g/s1600/80842-4+AD+%255DA%255B.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1566" data-original-width="1032" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKYX2VK_yW3ZxtAOAnWRlAl7dW-aaztd5kzNSbh2ITeFciPCSZLNM9shu3g5lnA3lRcs5lcImyqVTZOCJVPthFUyzh0lst0ME8YWIzoHF-7Kp-55e9yxDTxLsQrBX6Vf2hhhiVXau04q2g/s400/80842-4+AD+%255DA%255B.jpg" width="262" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">This is the Image Comics house ad which ran in <i>Splitting Image 80-Page Giant</i> (2017), announcing the <i>Border Worlds </i>hardcover.</td></tr>
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<div class="separator" style="clear: both; text-align: left;">
The official blurb: "With nothing left to lose, Jenny Woodlore joins her brother's ramshackle
trucking business on Chrysalis, a huge floating platform on the edge of
the galaxy — only to find herself in the middle of a cosmic conflict
that could change the very fabric of the universe. This deluxe hardcover
collects the complete run of Simpson's epic space drama as published by
the Kitchen Sink Press in <i>Megaton Man</i> and its own self-titled
series, finally adding an all-new concluding chapter. New Afterword by
Stephen R. Bissette. Suggested for mature readers."</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq2lJ7Rv4XMiljf4InTI7-MPcx6DmT79mSI_YKb0rQ2D0KGc3wkIVakrNOSbqSYAJ7b-fO3Pe5HcJlSIxJqDOAf2XuYcAg6GDE1zdJzuLOoM5bih8QYWQ6NpPblNIBfxq19uNYxBpmdDjj/s1600/Border+Worlds+Red+Dust+Jacket+Space+Station.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq2lJ7Rv4XMiljf4InTI7-MPcx6DmT79mSI_YKb0rQ2D0KGc3wkIVakrNOSbqSYAJ7b-fO3Pe5HcJlSIxJqDOAf2XuYcAg6GDE1zdJzuLOoM5bih8QYWQ6NpPblNIBfxq19uNYxBpmdDjj/s320/Border+Worlds+Red+Dust+Jacket+Space+Station.jpg" ssiindicator="" ssiloading="true" style="outline: 3px solid rgba(0, 128, 255, 0.5);" width="325" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Another dust jacket design under consideration.</td></tr>
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<h3>
<i><span style="font-weight: normal;">About the Author</span></i></h3>
<div>
Donald E. Simpson is an American comic book cartoonist and freelance illustrator, most noted as the creator of the series <i>Megaton Man</i>, <i>Border Worlds</i>, and <i>Bizarre Heroes</i>, as well as the official <i>King Kong</i>
adaptation. He has also freelanced for nearly every major comic
publisher. His most widely seen work are the illustrations he created
for Al Franken's 2004 bestseller, <i>Lies and the Lying Liars Who Tell Them: A Fair and Balanced Look at the Right</i>. In 2013, he earned a doctorate in history of art and architecture from the University of Pittsburgh.</div>
Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com2tag:blogger.com,1999:blog-8963836780895719723.post-90261196394776910932016-07-06T14:32:00.000-07:002016-07-06T14:34:18.793-07:00Shades of the Futures Past: Border Worlds #8 Unused Cover Art!Here is a detail of the original art for <i>Border Worlds</i> #8, which was announced and appeared in a house ad in <i>Border Worlds</i> #7 (August 1987). However, because of sales that continued to slip in the wake of the black-and-white comics boom-and-bust (paradoxically fueled by <i>Rolling Stone</i>'s recent coverage of Frank Miller's <i>Dark Knight Returns</i> that set off a speculative feeding frenzy for titles like the Miller-inspired <i>Teenage Mutant Ninja Turtles -- </i>I told you, paradox!), I made the painful decision to put my sci-fi saga on hiatus to focus on freelance work like <i>Wasteland </i>to pay my bills.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5WKGp5LBYJiohhKc4LnRla3MaOf0DrKLrt6aCl6hPHLb9_qMN89aeReJhdZt8HoqTEPusEmlbStPOaQhkC_4ukQJtC0rGoVCbhLdH1fnpm4_F5iujKfnEBcrMqcY5iNVCx0txhWX_1FMp/s1600/bw08banner.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5WKGp5LBYJiohhKc4LnRla3MaOf0DrKLrt6aCl6hPHLb9_qMN89aeReJhdZt8HoqTEPusEmlbStPOaQhkC_4ukQJtC0rGoVCbhLdH1fnpm4_F5iujKfnEBcrMqcY5iNVCx0txhWX_1FMp/s400/bw08banner.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jenny Woodlore and Drasin Revell in an intimate moment (detail).</td></tr>
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When the issue finally appeared as <i>Border Worlds: Marooned </i>#1 (1990), the scene depicted was still a part of the story, but I decided to go with a more dramatic cover. The original cover was drawn on Duo-Shade, a classic medium memorably used in EC Comics and still available in the 1980s, but now another historical oddity. I'm glad I got the chance to use it on #7 and portions of <i>Marooned</i>!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqwvaz7bD1tGaZdBlq9rrlazHtdm5FUqwz0-7iwDCzE-DcZzcGwD0JTqsiV8NO3pPSkFw224JAjnWcHtLC5KfEOrUdAwJ0zOQ-HQHgyoo47wA2UFqCepYbezuvp_QJEtHGkb8zY3noIijE/s1600/BW+08+Cover+Unused+Low.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqwvaz7bD1tGaZdBlq9rrlazHtdm5FUqwz0-7iwDCzE-DcZzcGwD0JTqsiV8NO3pPSkFw224JAjnWcHtLC5KfEOrUdAwJ0zOQ-HQHgyoo47wA2UFqCepYbezuvp_QJEtHGkb8zY3noIijE/s400/BW+08+Cover+Unused+Low.jpg" width="278" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The entire cover shows a more organic logo than the one I created when <i>Border Worlds</i> was a back-up feature in <i>Megaton Man</i>. Somehow the figure of Drake looked more dead than about to have a romantic moment with the series' heroine, Jenny. </td></tr>
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The collected complete <i>Border Worlds</i>, forthcoming from Dover Publications in 2017, will include rarities like this and other unpublished art, plus reflections by me (the author) and an essay by comics legend Stephen R. Bissette! Stay tuned for more details soon...<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-8mOD-yWkM_0Unfsq_mfPEwTGW8AmtA2uSsPrbGPj1ultBe_G7hgYWzZ8eRXua6qYSa5QVb9l5fVmK8RDwCGDL8ZCLJP33d6rMm4FqkZUV4P5IM6DTYnuI32Z2dgfG-yiKZLuyiOUTcHZ/s1600/BW+08+Cover+Unused+Color+Low.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-8mOD-yWkM_0Unfsq_mfPEwTGW8AmtA2uSsPrbGPj1ultBe_G7hgYWzZ8eRXua6qYSa5QVb9l5fVmK8RDwCGDL8ZCLJP33d6rMm4FqkZUV4P5IM6DTYnuI32Z2dgfG-yiKZLuyiOUTcHZ/s400/BW+08+Cover+Unused+Color+Low.jpg" width="287" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The greyline, hand-painted with Cel-Vinyl paints, didn't do much to enliven the mood of the scene, and no doubt reflected my own mood as I watched my labor of love succumb to the tumultuous comics market.</td></tr>
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<tr><td style="text-align: center;"><img alt="https://d1466nnw0ex81e.cloudfront.net/n_iv/600/623519.jpg" class="shrinkToFit" height="612" src="https://d1466nnw0ex81e.cloudfront.net/n_iv/600/623519.jpg" style="margin-left: auto; margin-right: auto;" width="397" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">My second stab at the cover was much more dramatic and pleasing (and the romantic scene between Drake and Jenny much more dynamic, earning the book and upgrade from "Mature Readers" to the more properly Underground "Adults Only").</td></tr>
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Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-23208651412100029592015-12-30T11:05:00.002-08:002015-12-30T11:06:41.139-08:00Year-End Lettering and InkingSo I'm ending 2015 in a completely unexpected way: drawing new <i>Borders Worlds</i> material for the upcoming Dover Publications, Inc. collection coming in Fall 2016! There will be an all-new 30-page conclusion to the 340-page saga that grew from a back-up feature in <a href="http://megatonman.blogspot.com/"><i>Megaton Man</i></a> in 1985 to seven bi-monthly issues (1986-87) and a one-shot (<i>Marooned </i>#1, 1990), plus unpublished art and other goodies. Lettering on the conclusion is now complete; inking in progress. (Whatever possessed me to put so much cross-hatching into this art?!!) Here's a look:<br />
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Size of original: 9" x 12", pen and ink on Clearprint Design Vellum.Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com6tag:blogger.com,1999:blog-8963836780895719723.post-64780004731645949672015-12-15T15:10:00.001-08:002015-12-15T15:10:41.928-08:00Smash! Skash! A Daring Rescue!Preliminary roughs for new material I am drawing for the collected <i>Border Worlds</i>, coming in Fall 2016: Rory Smash foils Pinsen's plan to return renegades Drake and Cody Revell to earth. More previews elsewhere on this blog!<br />
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Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-78433785541529999152015-12-14T08:26:00.002-08:002015-12-14T08:26:37.228-08:00Systems of Notation: Script, Thumbnails, Art!Here are the thumbnails to the remaining new pages I am creating for the collected <i>Border Worlds</i>, coming in the Fall of 2016 from Dover Publications. They are based on a very tight script written in November 2015, so dialogue has already been worked out, although still subject to modification as I transfer to pencil art. When I was a beginner in the 1980s, I usually outline a plot in bullet points on a legal pad, then thumbnailed or sometimes sketched out the art full size on Bristol board. At the time, it seemed logical, if one was thinking of comics primarily as a visual storytelling medium, to think visually from start to finish, i.e., non-verbally. However, if I had to set aside the thumbnails aside for any length of time, I would have trouble remembering exactly what I was thinking based only on the sometime very low-res scribbles (this was a major crisis when I took six weeks off to attend comic book conventions in the middle of production of Yarn Man #1!).<br />
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<tr><td class="tr-caption" style="text-align: center;">Spoiler Alert: This won't give anything away unless you can read Scribble! (Pencil layouts for some pages can be seen in other posts on this blog.)</td></tr>
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During <i>Border Worlds</i> in 1986 and 1987, I worked in an almost bi-polar fashion from issue to issue, working visually (thumbnail) one issue, then script the next (particularly if an issue was dominated by a lot of dialogue), then visually again. These days (the twenty-first century), I find that a full script is best even when a particular sequence is predominantly visual or non-verbal. This may seem counter-intuitive, but it is far easier to type "close up" than to sketch a close up, even in a scribbly thumbnail. I also refine the dialogue, describe the panel compositions in great detail (who is in the foreground, background, left, right, directions characters are facing, camera angles, etc.) and often character psychology and what the reader knows or doesn't know. Alan Moore is the only writer I have worked with who works to such a degree, and his artistic success speaks for itself. (Most comic book writers compose scripts that are very schematic, like recipes, that keep the illustrator in the dark unnecessarily, as if they were a member of the audience who needs to be kept in suspense instead of a member of the creative team whose job it is to convey the ideas to the reader. It's like baking something without knowing exactly what, and I have to read the script three times to figure it out, before I have a handle on what needs to be drawn.)<br />
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My own scripts enable me to describe the events going on in my imagination, and pick up where I left off, even if I have to set aside a project for any length of time. Besides, every project of any length requires multiple working sessions over days, weeks, or months (and in the case of <i>Border Worlds</i>, years and decades), so a solid notation system enables me to resume work each session without guessing, "What the heck was this indecipherable little scribble supposed to mean?" (We'll see how well this system works when I return to <i>Megaton Man</i>, for which I have fully scripted issues #4 and #5 of a new series; I was laying out the fourth issue from a full script when Dover called wanting <i>Border Worlds</i>!) Stay tuned for more updates during 2016!Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-84644103754144505192015-12-12T10:07:00.002-08:002015-12-13T04:27:24.810-08:00Theory of Relativity: Varying Art Sizes in Border Worlds Through the Ages!I began experimenting with the size of my original art in the 1980s, particularly in <i>Border Worlds</i>, and the tradition (or indecision?) continues into the twenty-first century. The image below is a good example: on the left, an 11" x 17" original (10" x 15" image area), the size I started out with in <i>Megaton Man</i> in the mid-1980s. which would reduce to about 60% at printed size; in the middle, the cover to <i>Border Worlds</i> #1, 11.5" x 14.5" (8.5" x 13.25" image area), for a 77% reduction, as shown; and my current practice, 11" x 14" (9.5" x 12.5" image area), a half-page tier that will reduce to under 50%. I did at least a couple issues of <i>Border Worlds </i>at 77% and contemplated going "twice up" (50% reduction), but at the time found it unwieldy. Obviously, the larger the art, the greater reduction, and the more the detail will tighten up and the less obvious will be the rough edges. Also, the easier it is on my aging eyes and wrist! (The half-page tier also makes it easier for me to reach the top of the art, <a href="http://bluemoontoons.com/category/comics/mr-drawing-board-belly/">Mr. Drawing Board Belly</a>!)<br />
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<tr><td class="tr-caption" style="text-align: center;">A pin-up for the <i>Amazing Heroes Swimsuit Special </i>circa 1990; the cover to <i>Border Worlds</i> #2 (1986; "<i>Worlds</i>" was reversed out at the bottom of the design in the printed version); and a half-page pencil rough from 2015.</td></tr>
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The Dover collection of <i>Border Worlds</i> (coming in Fall 2016) will include all of the <i>Megaton Man</i> back-up features, all eight issues of <i>Border Worlds</i> (including <i>Marooned</i> #1), and 30 pages of new material that I am currently producing, as well as several unpublished covers and extras. Not only will all these variously-sized originals appear side-by-side, but also the compendium of stylistic influences, from Moebius (Jean Giraud) to Wally Wood, and film designers such as John Dykstra to Ron Cobb (<i>Star Wars</i> and <i>Alien</i>, respectively), to say nothing of the influence of <i>Lost in Space</i>, <i>Star Trek</i>, and black and white art films such as the Cinemascope Woody Allen film <i>Manhattan</i>, magazine layout design, and everything else. Trying to match any of that at this point with my new stuff is mathematically impossible, so I can only do my current thing and hope for the best, but it is an incredible and unexpected opportunity to add to the mythos in middle-age! It will be interesting to see how well it all hangs together!<br />
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<tr><td class="tr-caption" style="text-align: center;">The ladies from <i>Border Worlds</i> #5 (one of the issues drawn at 77%) make a curtain call in the new segment I'm creating for the Dover compilation of Border Worlds, coming in Fall 2016.</td></tr>
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If you would like to own an original drawing of Jenny or any of the Border Worlds cast, please visit the <a href="http://donsimpsoncartoonist.blogspot.com/2014/04/commission-price-list.html">Don Simpson Commission Art Price List</a> page and contact me!Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-10066737170126350702015-12-09T14:49:00.000-08:002015-12-13T04:27:50.157-08:00Pinsen in Pursuit: New Pencils for 2016!Brand new 2015 pencil roughs (<i>not </i>derived from <a href="http://borderworlds.blogspot.com/2015/10/crash-landing-sequence-sketched-c-1998.html">old sketchbook</a>s for a change!) for the complete, collected <i>Border Worlds</i>, coming in fall 2016 from Dover Publications! There will be 30 new pages of material (basically, a complete <i>new </i>issue of <i>Border World</i>s, with all the previous issues as well as the original <i>Megaton Man</i> back-up features tacked on behind it!). Here are some incomplete glimpses of scenes with Pinsen and Drake and Cody Revell, about to be deported back to earth, and Jenny getting back on her feet after plummeting several stories due to a jetpack failure. (I would put a spoiler alert on this but you'd have to have the storyline from the 1986-1990 comic fresh in your mind to figure out what is going on!) Dover is promising superb reproduction of both old and new material, as in their recent <i>Puma Blues</i> collection! More details TBA...<br />
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<tr><td class="tr-caption" style="text-align: center;">Drake and Cody Revell as prisoners about to be returned to earth.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Jenny after crashing (literally and figuratively) awakens to a new reality.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">A make-up gift from Arcameon's most notorious smuggler!</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Some of the rough layouts in light blue Col-Erase and graphite pencil on layout bond, next to my Trollopian output checklist on a clipboard.</td></tr>
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If you would like to own an original drawing of Jenny or any of the Border Worlds cast, please visit the <a href="http://donsimpsoncartoonist.blogspot.com/2014/04/commission-price-list.html">Don Simpson Commission Art Price List</a> page and contact me!Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-13064192218464360912015-12-06T12:40:00.000-08:002015-12-13T04:29:35.004-08:00Sparky and Jenny: The Sequence That Has Taken Forever!<div class="separator" style="clear: both; text-align: center;">
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Here is the original art for a page first sketched circa 1998. The main characters were inked sometime thereafter. This weekend (2015) I've finally completed the backgrounds and some of the textures on Jenny's spacesuit (eventually, I finish what I start!). Matching my old stuff often presents a challenge, but this scene was pretty well realized in my sketchbook (right), and I think holds up pretty well. In the fall of 2016, Dover Publications will be collecting the complete <i>Border Worlds</i> including the original <i>Megaton Man</i> back-up features and all black and white issues, with 30 new pages of story and other unpublished goodies. Stay tuned for more details!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1-ea2hYrmwGTJ5HFbPziEbmYMMfOsm_YvMi-zo45Gbi6koDeHiQNaHIiCMqumlX9uYoxlkJr03421VffkJlj4SqiddFuTZjBVeJJGzkEQHIVyjem4WUr9JYpcNZIKysXRXHb9zVqha5T9/s1600/WIN_20151206_144809.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1-ea2hYrmwGTJ5HFbPziEbmYMMfOsm_YvMi-zo45Gbi6koDeHiQNaHIiCMqumlX9uYoxlkJr03421VffkJlj4SqiddFuTZjBVeJJGzkEQHIVyjem4WUr9JYpcNZIKysXRXHb9zVqha5T9/s400/WIN_20151206_144809.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Brush, pen and ink on Bristol board (left) and original sketchbook (right) of a new page for the upcoming <i>Border Worlds</i> collection, coming in 2016 from Dover Publications, Inc.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC0oiX0hBYBcX-ecYVjX2T-l9hmjdBCQoCDXi4j86KthaObJ6PAHcfEr1cWTVq0_JgHz9-1PFPgfR5TVBCpnQ5us2qopqQ0ArQhhY9EWhj0_Hl8Y8SUlxmpNJ-MfhIUIvfS4O93Y1zEFLr/s1600/5A+line+color+scan+300+dpi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC0oiX0hBYBcX-ecYVjX2T-l9hmjdBCQoCDXi4j86KthaObJ6PAHcfEr1cWTVq0_JgHz9-1PFPgfR5TVBCpnQ5us2qopqQ0ArQhhY9EWhj0_Hl8Y8SUlxmpNJ-MfhIUIvfS4O93Y1zEFLr/s400/5A+line+color+scan+300+dpi.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jenny marches off after she discovers Dr. Beecher has already left Stardome for good, and can't help stop Drake and Cody's deportation back to earth.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIrP9J-oVLKVLHqBleHclPFYtrOjFUZ-3UrrPo7p7fJXkLA_0v_RPkpNVmy-RnJDzcP96ffXBewqjHVCkQnu1AAytakEYFde2eF3hYJ6YP8acM_meOaiB4EP9jLfZ2QCZ3b097EgvoKs8A/s1600/jen+skbk+page.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIrP9J-oVLKVLHqBleHclPFYtrOjFUZ-3UrrPo7p7fJXkLA_0v_RPkpNVmy-RnJDzcP96ffXBewqjHVCkQnu1AAytakEYFde2eF3hYJ6YP8acM_meOaiB4EP9jLfZ2QCZ3b097EgvoKs8A/s400/jen+skbk+page.jpg" width="313" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Original roller-pen sketch, circa 1998.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI7JdksBp6j4hFl7tHrs-c_BrImWP_TYvzjt3lppHxULfl3cpcv7BGGapjDQoCiXWs31dkfKOjBC219qWEQyh7iMfz3iEC9uoM5YF5sZjW73J05UPflUZTvHgTDejqZH-xC7ZZ1sAF1Mfr/s1600/5B+line+color+scan+300+dpi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI7JdksBp6j4hFl7tHrs-c_BrImWP_TYvzjt3lppHxULfl3cpcv7BGGapjDQoCiXWs31dkfKOjBC219qWEQyh7iMfz3iEC9uoM5YF5sZjW73J05UPflUZTvHgTDejqZH-xC7ZZ1sAF1Mfr/s400/5B+line+color+scan+300+dpi.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jenny flies without heeding Sparky's sensible warning that she should have checked her fuel gauge after using the jet pack for such an extended period.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Original sketchbook layout.</td></tr>
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If you would like to own an original drawing of Jenny or any of the Border Worlds cast, please visit the <a href="http://donsimpsoncartoonist.blogspot.com/2014/04/commission-price-list.html">Don Simpson Commission Art Price List</a> page and contact me!Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com3tag:blogger.com,1999:blog-8963836780895719723.post-19658409721547120292015-10-23T14:28:00.004-07:002015-10-26T18:41:51.576-07:00Crash Landing: A Sequence Sketched c. 1998<u>More new wine in old wine skins, or vice versa</u>: This weekend I'm refining sketches made circa 1998 of a sequence that follows <i>Border Worlds: Marooned </i>#1
(Kitchen Sink Press, 1990) involving my heroine Jenny Woodlore in a
perilous dramatic sequence. This was an unusually detailed series of
sketches that I set aside for a complexity of reasons, but never
completely forgot about it, and through the miracle of scanning,
resizing, and tracing, very little needs to be done to refine the art
and make it ready for inking. For those of you who have followed my
various blogs in the past two years, you already know that since my PhD
in 2013 (ending a decade of college and grad school), I've scoured my
sketchbooks for inventory material worthy of dusting off and making
presentable in this fashion, and have employed a variety of creative
reclamation techniques (including inking on vellum, light-tabling, etc.
-- a recent post on a <a href="http://msmegatonman.blogspot.com/2015/08/1989-to-2015-early-ms-megaton-man.html">Ms. Megaton Man sketch</a>
is a good example). Generally I've approached this as an experiment
(and not because I've run out of fresh ideas -- I hope!), and an effort
to square the books creatively (and getting back into cartooning) before
undertaking new projects or beginning new material with existing
characters. This scene represents just about the last significant chunk
of material amenable to this reclamation process. Ironically, the final
result <i>may</i> see print before some of the all-new <a href="http://megatonman.blogspot.com/"><i>Megaton Man</i></a> material I've been working on recently. Stay tuned for more...<br />
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<u>Update 10/25/2015</u>: A few more shots of 2015 tissue refinements and the original 1998 sketches.<br />
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<u>Note</u>: I have used this method on all-new material; a good example is <a href="http://donsimpsonfreelance.blogspot.com/2014/09/more-war-roughs.html">parts of <i>War of the Independents</i> #4</a> (forthcoming from Red Anvil Comics in 2016)!<br />
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See the original sketch sequence <a href="http://borderworlds.blogspot.com/2013/07/freefall-sketches-and-for-post-marooned.html">here</a>. Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-83648452512766163392014-09-24T10:14:00.000-07:002014-09-24T10:16:27.260-07:00Lost Thumbnails: Practice Page Designs from c. 2002Here is a marker rough I drew on a sheet of 14' x 17" layout paper, probably circa 2002, of a series of pages featuring Jenny from <i>Border Worlds</i>. There doesn't seem to be any clear storyline; rather, these are simply page-design studies. Some scenes evoke material from the original series; others are new moments that fill in some gap in the narrative. No doubt I was pretending to be Ralph McQuarrie (production designer of the original <i>Star Wars</i>), or at least Howard Chaykin. I may have been practicing with markers before attempting other sketches that are a more coherent retelling of the <i>Border Worlds </i>story that I am still developing.<br />
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<br />Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-55298371297840407542014-07-08T13:13:00.000-07:002014-07-08T15:13:08.052-07:00"Appropriating" Stephen D. Sullivan: Anatomy of a Swipe!Here is a Uni-Ball sketch I made on canary yellow tracing paper from a print out of a figure from the cover of Steve Sullivan's <i>Zombie Shark</i>. The author and illustrator uses part of the image on his Google profile, and I fell in love with the pose (or "gesture," as they say in fine arts, or "motive" if you are Sir Kenneth Clark). In any event, it suggested a pose for Jenny Woodlore, so I traced a print out, and this is what I got. I'm going to blow it up again and trace it some more, something like what I imagine to have been Gil Kane's method of developing figure drawings, until I have something that will almost be original! If all goes according to plan, Steve will never find out...!<br />
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<tr><td class="tr-caption" style="text-align: center;">Sketch, approximately 8 1/2" x 11".</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Sketch next to black and white printout; actual detail.</td></tr>
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I must say that usually when I swipe (or "study," as I prefer to say), I simply copy the figure, that is to say, I just look at the original and eyeball it, drawing it freehand on paper, with the print or online source in view. Most such studies remain in my sketchbook, although some can lend themselves to repurposing. I never used to swipe in my early comics, if only because when I copied a photographic source of some sort it always stuck out like a sore thumb. Now I am able to make changes as I did here (reducing the bust and augmenting her calcaneus (heel bone). Tracing usually doesn't yield very useful results, and in this case she is a bit too "butty" in the way her torso is twisted, that I may address if I develop this further.Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com2tag:blogger.com,1999:blog-8963836780895719723.post-19994303734007760532014-07-07T11:00:00.001-07:002018-06-20T08:04:08.245-07:00Early Jenny Sketches Unearthed!Here are some very early sketches of Jenny Woodlore, protagonist of <i>Border Worlds</i>, from the sketchbooks of Kika Kane, made in the wee hours of some long-lost San Diego Comicon night in 1985! Denis Kitchen took me to this gathering of underground cognoscenti at the Hotel San Diego, a charmingly seedy once-grand hotel which later served as a setting for parts of the seedy 2000 film <i>Traffic </i>(Miguel Ferrer is held in custody there but meets his end when his room service is poisoned). These soirées included the like of Don Donahue, R.L. Crabb, the late and beloved Dori Seda, S. Clay Wilson, Dan O'Neill, Spain Rodriguez, Jim Valentino, Larry Marder, Gary Groth, Aline Kominsky-Crumb, Trina Robbins, and a host of other figures on the cusp between the underground and alternative generation of comics creators. <br />
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Over the subsequent dozen or so years, I attended several of Kate's (as I knew her then) <!--[if gte mso 9]><xml>
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One of the problems I had in drawing <i>Megaton Man</i> and especially in the transition to <i>Border Worlds</i> was in approaching realistically-proportioned characters, something I only began to solve as the eighties came to a close. Here that struggle is on display, at about the time I was beginning work on the first <i>Border Worlds</i> back-up feature for <i>Megaton Man </i>#6 (October 1985).<br />
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The sketch below is from 1989, and already shows an interest in greater similitude (the sketch of Nicole Panter from memory being a case in point). Trying to be all "stream of consciousness" like R. Crumb! (The blatantly erotic elements should give you some idea of the raunchy tenor of the other sketches I did in Kate's three sketchbooks.)<br />
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My thanks to Kika Kane for allowing me to snap photos of these forgotten images at her home in Marin County in June 2014! Below is probably the most accomplished of my sketches, from 1991.<br />
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Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-43732984357819431922013-07-30T13:02:00.002-07:002018-06-10T16:13:43.648-07:00Jenny Woodlore™Jenny in an illustration, pen and ink with Photoshop.<br />
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<br />Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-19995337477952001022013-07-20T17:14:00.002-07:002013-07-20T17:14:25.806-07:00Jenny Takes a Break: A Work in Progress IIJenny steps down from the model platform in this refined development on canary yellow paper.<br />
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See <a href="http://borderworlds.blogspot.com/2013/07/jennys-past-work-in-progress.html">Jenny's Past: A Work in Progress</a><br />
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<br />Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-32976735136364315772013-07-19T08:22:00.001-07:002013-07-19T08:22:21.186-07:00Freefall II: The Contraptoid<div class="separator" style="clear: both; text-align: center;">
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This is the rough tissue and final art for a page relating to others I have posted.<br />
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<span id="goog_439898951"></span><span id="goog_439898952"></span><br />Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com0tag:blogger.com,1999:blog-8963836780895719723.post-89068255320006737282013-07-07T18:24:00.003-07:002021-12-24T09:59:46.097-08:00Freefall: Sketches and Art for a Post-Marooned Jenny Sequence<!--[if gte mso 9]><xml>
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<![endif]-->At the end of <i style="mso-bidi-font-style: normal;">Border
Worlds: Marooned</i> (1990), Jenny Woodlore had made her way by jetpack to the
penthouse abode of Dr. Oliver Beecher, only to find Sparky the robot with the
message that the good doctor had already evacuated Chrysalis, the domed city. A
scene was subsequently sketched out and partially finished realized as finished
artwork in the 1990s, reconstructed her from extant materials. In it, Sparky
plays a recording made by Beecher for Jenny on a Contraptoid-like robot,
informing her that the space station is on a collision course with a
neighboring planet.
<br />
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<br />
Jenny, already exhausted from her climb out of the bowels
of the space station, and devastated by the arrest of Drasin and Cody and the loss
of the hotrod, straps her jetpack back on to leave the penthouse. Her depleted fuel
supply is used up before she can land in the park below, and she freefalls
through the trees, protected only by her space suit. Crashing to the ground,
she is assisted by onlookers, and staggers to her feet only to collapse again
in a fountain. After she revives, she makes her way to a tramway that takes her
back to the hangar on the outskirts of the plate of the space station. Removing
her space suit, she collapses in tears in the shower, and finally passes out,
nude, on her bed. The conclusion of this sequence marks the approximate halfway
point of the story material planned for <i style="mso-bidi-font-style: normal;">Border
Worlds.</i><br />
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table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
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<br />
<div class="MsoNormal">
Below are several sheets of chisel-point marker sketches
from the same sketchbook. The appearance of the Meddler and Rory Smash on one
of them date these to around the time I was working on <i style="mso-bidi-font-style: normal;">Bizarre Heroes</i>, and particular the final issue (#0), when I was
contemplating a time-travel crossover. </div>
<div class="MsoNormal">
</div>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghFLtdNL3MyOjsttKwyllB5ANjrjUYV9Gkz75Md5Wo0wOqxqKd0yXcVfKd4-_EOD1mzyumi6vFM1arcZRZKrbrpf_EQSBu-1Ik11fnWcuTITJWnQz2bZBQxJrOA3ewMM-2rn1DGytKGPh0/s1600/18+bw+sk+200.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="343" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghFLtdNL3MyOjsttKwyllB5ANjrjUYV9Gkz75Md5Wo0wOqxqKd0yXcVfKd4-_EOD1mzyumi6vFM1arcZRZKrbrpf_EQSBu-1Ik11fnWcuTITJWnQz2bZBQxJrOA3ewMM-2rn1DGytKGPh0/s400/18+bw+sk+200.jpg" width="400" /></a></div>
<br />Donald E. Simpsonhttp://www.blogger.com/profile/08966389552890782417noreply@blogger.com3